Wednesday, December 9, 2020

Cirencester, Gloucestershire

 


A folly, but not entirely


Earl Bathurst, 18th-century lord of Cirencester and shape of its enormous park, clearly responded to the architectural fashions of the time. As well as classical buildings like the one in my previous post, Bathurst also included several Gothic ones in his park. This, probably the largest, is called Ivy Lodge. It looks over the park’s famous polo field so that its eccentric architecture can entertain spectators who feel they’ve endured one chukka too many. It’s easy to shrug buildings like this off as simply follies – bits of architectural nonsense that rich people liked to put up to indulged a whimsy. Of course, the design is whimsical – that very classical central upper window looks eccentric above Gothic openings and beneath faux-medieval battlements. But it’s also a building with a purpose. It’s actually a house that adjoins a series of farm buildings – barn, cart shed, granary, etc – some of which are attached to Ivy Lodge, some standing separately nearby. It’s all much plainer round the back.

Observant readers will have noticed that the windows on the left-hand part of the facade are blind. A side view (below) shows why. That part of the facade is just facade – its main purpose is to make the frontage symmetrical and to screen the farm buildings from view. That’s the kind of care that Earl Bathurst took when building the structures in his park. Many had a practical purpose, but all were meant to enhance the view. I’d be the last person to take issue with this care for visual things. The whole ensemble makes me happy – and that backdrop of trees makes me happier still. Looking at this picture makes me want to get my walking shoes on and go and look at it all again, very soon.

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I have posted previously on another building in Cirencester Park, Pope’s Seat, here







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