The many buildings and monuments in the landscape garden at Stowe are beautifully positioned, to catch the eye, to form the climaxes of vistas, or simply to enhance the landscape features around them. One of the most effectively placed of all is the Temple of British Worthies, the exedra or semi-circular structure designed by William Kent to display a series of busts of figures who were among the heroes of the garden’s owner, Richard Temple, Viscount Cobham. Sited in the part of the garden known as the Elysian Fields, the building is positioned close to a stretch of water that is actually a narrow lake but is called the River Styx. The water catches its reflection and draws the viewer to cross a nearby bridge and take a closer look.
The inhabitants of this English Elysium are portrayed in sixteen busts (eight by John Michael Rysbrack, eight by Peter Scheemakers) and represent the Whig philosophy that Cobham himself espoused (see previous post). Each bust is accompanied by a text rather like a citation for a Nobel prize that explains the virtues of the particular worthy, in each case bringing out the particular qualities or ideas of the individual that bear most on the values that Cobham espoused – love of liberty, the primacy of human reason, opposition to Roman Catholicism, and so on. Thus John Hampden opposed ‘an arbitrary Court, in Defence of the Liberties of the Country’; Queen Elizabeth I ‘destroy’d the Power that threaten’d to oppress the Liberties of Europe’; William III ‘preserv’d the Liberty and Religion of Great Britain’; King Alfred ‘crush’d Corruption’, and so on. Other worthies, such as Isaac Newton, William Shakespeare, and Alexander Pope and praised in more general terms for their understanding of nature and humankind.
All this is very specific – it doesn’t take one long, equipped with a transcript of the texts (the original inscriptions are rather worn) to work out the ideas behind this curious pantheon in which the Black Prince and Cobham’s contemporary Sir John Barnard are neighbours to Locke and Newton. However there’s a curious and very British twist to all this. Resting in the heart of the temple, beneath the pyramidal roof of the centrepiece, are the remains of one Signor Fido, a much mourned companion of Cobham, who ‘neither learnt not flatter’d any Vice’ and who ‘doubted none of the 39 Articles’. This very British worthy was not a man but a greyhound.
Such changes of perspective might make us smile, but they remind us too that there are more ways than one of appreciating such a monument. This in turn should also encourage us to take a step back from all the seriousness and actually look at the building, and remember what drew us to it in the first place. Set in its landscape, on a bright winter's day, it simply looks really good.
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