Sunday, December 23, 2012

Wyck Rissington, Gloucestershire


Three ways  

In the bleak midwinter, with rain on rain in this part of the world, here's a photograph to remind us of last summer's sun, warming up the Cotswold stone at Wyck Rissington, northeast of Bourton-on-the-Water.  Aside from the obvious charm of this stone building in its tree-lined churchyard, I'm attracted to this building for various reasons. Here are three things that interest me about it; three ways of looking at a building, if you like.

First, the architecture. Although this is a small church, built by unknown masons and added to over the centuries in what looks like a haphazard way (look at the miscellaneous selection of window styles), it has had architectural pretensions, especially with regard to the chancel (in the foreground of the photograph). This small part of an obscure church represents a moment in English architectural history. It dates from the mid-13th century and the end wall, with its two pairs of lancet windows and small corner buttresses with pointed tops, is very much of its period. So is the surviving single lancet on the side wall (the larger windows are later; originally there would have been more lancets along this side). This was the period when English builders were beginning to group lancet windows together and add smaller openings (circles, trefoils, quatrefoils) above them to create windows with tracery – the window on the side wall next to the drain pipe is an example from a later phase of building. In the end wall, the two concave-sided lozenge-shaped openings above the pairs of lancets, and the plainer diamond opening above them, create a kind of proto-tracery, as if the masons were feeling their way towards this idea but not quite getting there yet: fascinating.

Next, what has happened to the building recently, for all old buildings need care and repair, and how this is done affects both their survival and their appearance. On my visit in the summer, the church architect happened to be there making an inspection, and we talked both about the 13th-century architecture of the chancel and about the recent work on the church roof. As you can see, the nave roof has been completely recovered in new Cotswold stone "slates". Some of the old slates were still in good enough condition to be recycled, as were quite a few on the chancel roof. So when the nave roof was finished, the chancel roof was redone with the best of the old slates. Both roofs are now good for many years, and the new slates on the nave roof will eventually darken in colour, attract lichen, and match the older ones on the chancel. 

Finally, a historical association, because the people who use old buildings are frequently just as interesting as the buildings themselves. In the early 1890s, the 17-year-old  Gustav Holst got his first job here, as church organist. He soon added a similar position at nearby Bourton-on-the-Water and this work helped to sustain the young composer until he got a scholarship to the Royal College of Music a couple of years later. Holst, who was born in Cheltenham, spent most of his adult life in London, but always loved the Cotswolds. One of his more ambitious works is his Cotswolds Symphony, the beautiful slow movement of which is subtitled "In memoriam William Morris". Perhaps his most familiar work, though, is one that many do not realise is by him, the tune called Cranham (named for another Cotswold village) which is the most popular music for the carol "In the Bleak Midwinter". Here it is, sung by that great British ensemble, The Sixteen.* Season's Greetings to you all.

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*Or there it was. The video I originally attached to this post has been removed from YouTube. There are plenty of other versions online, though, including one from the choir of Gloucester Cathedral, here.

13 comments:

Sanne said...

For a long time I want to thank you for your wonderful posts. Sorry for my bad active English, my passive is much better. I wish there was a blog like yours for Austria or Germany Unfortunately, I have so far found no such. To you the best wishes for the coming holidays.

Philip Wilkinson said...

Sanne: Thank you for your appreciation. Season's Greeting to you too.

Peter Ashley said...

Wonderful, thankyou, and the compliments of the season to you. Wyck Rissington also sounds like a good character name to put in a novel.

Philip Wilkinson said...

Peter: Thank you. Wyck Rissington might be in the same novel as Catherston Leweston.

E Berris said...

One of my favourite carols (among many). Thank you and very best Christmas wishes. E. Berris

bazza said...

Hi Phillip
Best wishes for Christmas (or whatever you celebrate) and the New Year from Bazza.
Looking forward to another year of great posts from you.
Barry & Leah x
Click here for Bazza’s Blog ‘To Discover Ice’

Anonymous said...

Lovely music. Thank you as ever for your most interesting blog and best wishes to you and yours.
François-Marc Chaballier

Gretel said...

We used to live a few miles from here and I loved passing through this village, it is one of the unspoilt gems of the Cotswolds (long may it remain so). I feel terribly homesick looking at this pretty church now and regret that we didn't take time to visit (we meant to, but never got round to it). So it's been very interesting to read about it, and the Holt connection. Thank you!

Philip Wilkinson said...

Thank you all for your kind comments, and best wishes to you all.

Thud said...

Merry Chrimbo to all.

David Gouldstone said...

Would a naive roof be one that's oblivious of the fact that it's been slated?

Very enjoyable post, as usual. Thank you.

Joe Treasure said...

Let me join the seasonal chorus of thanks for a really enjoyable blog.

Philip Wilkinson said...

Renewed thanks to you all, and all my good wishes for the New Year.