Ups and downs
When I looked up Radstock in the Pevsner volume Somerset: North and Bristol, I had to smile. It seems that my perception of the town has changed, and that this alteration reflects exactly a change in the way the great architectural guides have seen the place. When I first saw Radstock, passing through with my father some time in the late 1960s, it seemed dark, dusty, and, frankly, ugly. It was a small mining town and, although there was some interest to be gleaned from passing trains and trucks and clanking machinery, it didn’t seem as if the place need detain us. The other day, the sun was shining, the buildings in the town centre were clean, and the architecture revealed interesting details; the pit had long gone, of course.
Pevsner, writing in 1958, found Radstock ‘really desperately ugly...without dignity in any building’. But his successor Andrew Foyle, in the revised volume of 2011, commented ‘...yet Radstock is among the best survivors in England of a small Victorian colliery town’. Tastes have changed, of course, and architectural historians are now open to a wider variety of subjects than they were in 1958 – thanks, it has to be said, in part to the work of Pevsner himself.
What struck me the other day was an array of buildings in clean, pale stone (white lias, I believe), festooned with interesting details. Most of these structures were part of a redevelopment by the Waldegrave family in the late-19th century, and they range from public buildings like the Victoria Hall to shops and a hotel. The peculiar capital in my photograph is a detail from one of the buildings. It must be an adaptation of a Classical order, perhaps the composite, but instead of a pair of downward-curving spiral volutes, there is a kind of scroll, in which one spiral goes upwards, the other down. For further adornment, there’s a rosette in the middle of each scroll. In spite of the worn stone, it’s still a charming detail, one small confirmation that there was plenty of room for inventiveness in this small, long unregarded, Somerset town.
2 comments:
The change in appreciation or general regard over time is interesting. I recall that Evelyn Waugh wrote (I think in the early 60s) that his grandparent's house had only some good furniture as most of the contents were Victorian - i.e the kind of furniture that (at least until recently) fetched high prices.
Yes. I can remember people looking down their noses at Victorian furniture – only Georgian would really do. I also recall as late as the 1970s people laughing at very strong Victorian designs such as that of Keble College, Oxford.
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