The church at Hughley looks charming from the outside – it’s very small, without any architectural separation between nave and chancel, and has a wooden medieval porch and one of those timber-framed bellcotes that nearly always make a small church look picturesque. None of this compares one for the building’s great treasure: the internal division between nave and chancel is effected with a wooden screen of great craftsmanship and beauty, a work of art more delicate and sophisticated than one would normally expect in such a modest building.
The panelled lower section is topped by bands of lace-like carving below the row of larger openings. Above this is more lacework in wood and at the very top of the coved section that would have once supported a rood loft. This curving support is carved with a pattern of radiating ribs in imitation of stone vaulting. Looking at all this more closely (below), one becomes aware how much fine detail there is in the carved portions. The central parts of the ‘vault’ are carved with ornate quatrefoils. The openwork sections a little lower down have tracery like windows, and the horizontal carved bands at the top of the screen and lower down feature more quatrefoils, tiny arches, fleurons, and even one or two faces in roundels. It’s outstanding workmanship and has survived well since it was made in c. 1500, albeit with a few small breakages and missing bits.
Pevsner’s Shropshire volume tells us that this remarkable high-class screen has siblings in three churches in the adjoining counties of Cheshire, Denbighshire and Herefordshire. More churches beckon, then, to pursue the work of this fine carver (or group of carvers), who in a time when many people traveled hardly at all, worked their way up and down the English-Welsh borders doing marvellous work that’s familiar mainly to specialists now. It deserves to be known more widely.
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