These days when something goes wrong with a tap, or there’s a leaky pipe, or a ballcock, we call in the plumber. Plumbing is one of those trades that has been with us since ancient times and form the Romans to the early-20th century, water was carried in lead pipes. So plumbers were skilled in the working of lead – they could make lead pipes, mend them, install them. And they also got involved in trades in which lead was used – in glazing, for example, when panes of glass were set within strips of lead, as in the ‘leaded lights’ we still talk about when discussing windows in some churches or old houses. That’s what ‘plumber’ means (coming from the Latin plumbum, lead), a person who works with lead.
So here’s the plumber’s workshop at the Weald and Downland Open Air Museum. It’s a wooden building with large windows to provide plenty of natural light, and fitted with generous work benches. It was probably built in the late 1880s and was originally sited in Newick, East Sussex. It belonged to the long-established firm of W. R. Fuller, who were plumbers and decorators, another two trades often combined, and came to the Weald and Downland Museum after it was dismantled in 1985. It’s just the kind of building that’s at home in an open-air museum, and like some of the best working buildings that end up preserved, it came with a large selection of tools – for cutting lead, measuring it, and for forming and bending pipe. The museum has a large collection of artefacts used in various building-related trades. Many of these are in storage, but it’s good that some of them can be displayed, to give visitors an idea of how tradesmen worked.
And we need such an idea, because plumbing changed radically in the 20th century. When scientists realised that lead pipes could be harmful to human health, there was a changeover to pipes made of other materials, from copper to plastic. The trade changed, and workshops like this became a thing of the past. There must have been thousands of such workshops; now leadworking is a specialist craft, restricted to areas like the decorative leadwork sometimes seen on rainwater goods, and the repair of windows that have leadwork, so plumders’ workshops of this kind must be rare as hen’s teeth. Thanks to the Weald and Downland Museum, one at least has been preserved to throw light on a bit of a much-changed building trade.
2 comments:
I've never been to this museum. Which is odd because I do like to see old houses, although I always prefer them to be in situ, and not too altered inside. I wonder if the museum has tradesmen willing to come and demonstrate their traditional skills. Not that I'd care to work with lead, or expect anyone else to. Despite this, lead is to me a curiously fascinating metal with its soft looking, dull, and slightly sinister appearance.
The museum might look a bit small and disappointing from the outside, but it is actually much more realistic than building a modern giant with no connection to the 19th century or to the trade. Are young people interested in examining a trade that their grandfather's may have left?
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