A view of the bridge
The Darby family of Coalbrookdale were among the greatest industrialists of their time, the people who revolutionized the production of iron. Abraham Darby I pioneered ironmaking in blast furnaces fuelled by coke, enabling the metal to be produced in the quantities needed for industry to expand rapidly. He also developed a way of casting pots using sand moulds that proved very lucrative. Later generations carried on in the business and Abraham Darby III, grandson of the first Abraham, working with the architect Thomas Pritchard, gave us the area’s most famous structure, the world’s first iron bridge.
The Darbys lived in a pair of houses a couple of hundred yards up the hill from their furnace and works. These houses are substantial Georgian middle-class homes, but not at all flashy. The Darbys were Quakers and did not go in for lavish living – the rooms are quite small and rather plain. But look closely, and one sees evidence of their achievements. This fireplace must be one of thousands produced at Coalbrookdale. But they don’t all have an image of the celebrated iron bridge cast into them. Examine the lower arch of this fireplace and that’s just what you see – an outline that’s world famous now and must have been one of the things of which the Darbys were most proud. How like them to mark this achievement so discreetly.
The iron bridge itself has survived over 230 years, a marvel of graceful design. It manages to span the Severn almost transparently, but its outline is instantly recognisable. It’s in need of repair now – ground movement over the years, an earthquake in the 19th century, and stresses that have always existed have caused cracking. A major project is beginning to repair the bridge, so that it can last far into the future as a monument to the skill and ingenuity of the Darbys and their architect.
Showing posts with label Coalbrookdale. Show all posts
Showing posts with label Coalbrookdale. Show all posts
Wednesday, September 6, 2017
Thursday, August 24, 2017
Coalbrookdale, Shropshire
Showing your wares
In my previous post I focused on the former Severn Warehouse at Ironbridge, an industrial building that was built with an eye to appearances, a deliberate eye-catcher. This time, a rather plainer industrial building not far from the one in the previous post, but one with one particularly eye-catching feature, something that is perhaps more effective as advertising than the Gothic structure of the old Severn Warehouse.
My photograph above shows the building housing the Museum of Iron, which the Resident Wise Woman and I had decided to visit. It’s a fascinating museum, giving us plenty of background on iron and inorworking in general, on the various generations of the Darby family and the great John ‘Iron Mad’ Wilkinson in particular, and on the products of the industry in Coalbrookdale, from fire grates to firearms. All this is housed in a brick-walled warehouse building, put up by the the Coalbrookdale Company some time in the first half of the 19th century. The striking clock tower bears the date 1843, but this is said to be a later addition to an already existing building. Some sources say that the warehouse was first built in 1792, but it’s not shown on a map of 1805. 1838 is the likely year of construction.
Part of the structure is appropriately of iron – there are iron columns inside holding up the floors, but there’s also much wood in evidence: this is not one of those fireproof buildings that many textile mill owners, mindful of sparks igniting wool or cotton, liked to put up. Iron is also in evidence on the outside. The white-painted window lintels and sills are cast iron and the window frames are metal. So too is the clock tower, an elaborately decorative addition to an otherwise utilitarian building. It’s an effective piece of publicity for what you could do with metal in a decorative way, and a signal, perhaps, that as the Victorian era got up steam, manufacturers in Ironbridge and Coalbrookdale would increasingly be asked to produce highly decorative items – kitchen ranges, stoves, tables and chairs, not to mention garden railings and post boxes. There is a lot of this sort of stuff inside the museum. The clock tower is, you might say, exhibit number one.
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