Showing posts with label Oddfellows. Show all posts
Showing posts with label Oddfellows. Show all posts

Tuesday, February 4, 2025

Bungay, Suffolk

 

Oddly enough…

On our recent visit to Bungay in Suffolk we found much to satisfy our architectural curiosity – medieval churches, a market cross, a castle (closed and with the builders in at the time of our visit). But as usual, a casual stroll around the town threw up many less spectacular pleasures. Even so, it was a last-minute impulse that sent me down Chaucer Street, and I’m glad it did, because I found this building in the full-blown polychrome brick style that was popular in the 1860s and 1870s. In that period of architectural showing-off, even a minor building could be as jazzy and eye-boggling as a shopfront from the 1960s.

The frontage bears a large sign saying ‘Masonic Rooms’, giving no doubt about its current purpose. Freemasons have met in Bungay since 1862, when the warrant for the local lodge was issued. Most of us are used to thinking of the Freemasons as a secretive group (though that is much less the case today than it used to be), but the secrecy does not extend to their architecture. In this case, the building stands out proudly from its rather plain red brick and painted brick neighbours. It would be difficult to miss, with its striped archers and patterned stretches of wall in three shades of brick – red, buff, and the shade of grey known in bricky circles as ‘blue’. There’s some stone too, in the gable especially, to add to the rich mix, and the roof is covered in pantiles of two colours. The stone roundel in the gable encloses an octofoil that framed a symbol (perhaps a hand or a coat of arms) that has now worn away.

This building was a small surprise to me, but a bigger surprise ensued when I looked it up in the Suffolk: East volume of Nikolaus Pevsner’s Buildings of England series. According to Pevsner, the structure was ‘apparently built for the Oddfellows in 1910, but its exuberant polychromy looking a good forty years earlier’. So this building, not originally masonic at all, was put up when the architectural fashion was for the curves, swirls and plant motifs of Art Nouveau. Who cares now, though, that the building was behind the times? A big ‘thank you’ to the Oddfellows for being exuberant and colourful.

Sunday, April 16, 2023

Chipping Norton, Oxfordshire

 

Caring

It took me many visits to the Oxfordshire town of Chipping Norton before I came across the former hall of the Oddfellows, a philanthropic association that dates back in documented records to the 18th century and which still exists, in various forms, across the world. When I saw it, I was immediately struck by the street front with its segmental curved doorway, the shaped gable above, and especially the carved lettering and coat of arms. Somebody took pains to make the public face of this small hall special, and Pevsner tells me that the architects were a Birmingham firm called Hipkiss and Stephens. The building dates from 1910–11.

I could find little else about the history of the hall and was content to admire the way the lettering’s base line follows the curve of the doorway and how the coat of arms likewise fits the shape of the gable above. Another source of admiration is the carving of this relief, especially the images of care and what I take to be Christian charity that stand on either side of the arms. The stone and the Arts and Crafts idiom of these details sit well with the hall’s home in a small Oxfordshire town.

Web research led me in one other interesting direction. According to the excellent website Cinema Treasures, the Oddfellows in Chipping Norton were showing movies from about 1910, and by 1919 this hall was renamed the Picture House. It remained a cinema until it closed in May 1950, before reopening as the Norton Hall. It is now used by a private company offering post-production and media facilities and looks to have been the subject of a sensitive, caring conversion to meet the needs of the business. One feature of the conversion is that the current occupant’s signage does not mask or overshadow the old Oddfellow’s carved sign and arms, so there’s no barrier to the sort of architectural appreciation that I – and my readers – enjoy.