Showing posts with label Shaldon. Show all posts
Showing posts with label Shaldon. Show all posts

Friday, May 3, 2024

Shaldon, Devon

Reuse it!

In the list of things that need to be done but which are better put off till tomorrow, book-weeding is near the top. When bookpiles stealthily grow like silent stalagmites on the bedroom floor, it’s an indication that there’s no let-up in the book-buying. My shelves of English architectural history, of English literature, of books about places, music, art, keep growing. And the Resident Wise Woman is adding to the accumulation with her collection of contemporary poetry. Our house is not of infinite size. It’s not even large. So occasionally, I try to go through my shelves, weed out some volumes I think I no longer need, and make room for the recent acquisitions.

The few that make it off the shelves and into cardboard boxes go either to second-hand booksellers or – mostly these days – to charity shops. That way, I feel better about things by telling myself I’m doing some good with these rejected treasures. There has been the odd one – usually an obsessively re-read book that has actually fallen to pieces – that has had to go into the fortnightly recycling collection. But on the whole, if my redundant books eventually reach new homes, that’s a plus as far as I’m concerned. Re-use is better than recycling.

It’s similar with redundant buildings. If a building is no longer needed for its original purpose, there’s often an impulse to demolish it and start again. But often it’s far less wasteful to find a new user who’ll take it on, fill it with activity, and maintain it. Years ago I wrote a trio of books to accompany the BBC’s series Restoration, about rescuing historic buildings that were empty, abandoned, or at risk. I quickly realised that the key step in this process was working out what each structure’s new use could be.

The buildings in those programmes ranged from large country houses to modest workshops. But none of them was as modest as a telephone kiosk. Red telephone boxes are vanishing from Britain’s streets. They’re out of touch with the times now we all have mobile phones and some of them are hardly used at all.

The telephone box was brilliantly designed by Giles Gilbert Scott. Its curving roof, glazed doors and sides, its sign, and its red paint make it instantly recognisable – it’s almost as powerful a symbol of our country as a Union Jack or the clock tower of the Houses of Parliament. The red box is ideal for its intended purpose. It must have seemed that such a tiny structure could do little else if it was ever found to be redundant. And yet the truth has proved very different. Communities that want to save their telephone boxes have found all sorts of uses for them – miniature libraries or art galleries, places to house defibrillators, village information hubs, mini-museums, even planters . I’d need quite a few telephone boxes to house even the books I ought to get rid of. But when I saw this box in Shaldon, with its shelf of books, I was impressed. It’s a charity shop in little, with a bit of this, a bit of that, books included, to raise money for a local good cause. Creative re-use exemplified.* When I passed it a while back, both the idea and its realisation shed some welcome light on a dull and rainy day.

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* With the exception of the clunky font used for the signage, which could be much better.

Monday, March 25, 2024

Shaldon, Devon

Foxy

Shaldon, a small settlement across the estuary from Teignmouth, was originally busier and much more important than it is now – it was a centre for ship-building, but was eclipse by Teignmouth when the Shaldon side of the river silted up. So by the 19th century, Teignmouth was increasing in size, becoming the town it is today. Meanwhile, Shaldon turned into something of a backwater, although popular as a quiet place to which people retired or visited to enjoy the sea air. This new role of Shaldon saw the building in the early-19th century of a number of houses in the. cottage orné style, often with thatched roofs and Gothic windows with ornate patterns of glazing bars.

Houses like this projected an image of a kind of idealised rural life, and were occasionally decoratively over the top. Hunter’s Lodge is an example of this trend. Visitors will be foxed by the sign giving the date of ‘c. 1650’. While there may have been a house on this site in 1650, what we see today looks like a cottage orné of around 1800. The pointed windows and doorway and the elaborate glazing with its pattern of tiny hexagonal and diamond panes, point in that direction. So too do the large quoins, which, like the similar blocks around the doorway are made of Eleanor Coade’s artificial stone, which was popular in the Regency period and lent itself to the production of multiple copies of the same three-dimensional image.

The decorative piece de résistance, however, is the horizontal band with its repeated fox heads (below), which may too be made of Coade stone. I have to say, these fox faces inspired whoops of joy when the Resident Wise Woman and I first spotted them laid out in a row like more traditional architectural ornamental patterns, from Greek keys to medieval ‘stiff leaf’. Whatever you think about fox-hunting — and the views on this subject are diverse – how can one not find these foxes charming?

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*For more about Coade stone, see an earlier post from this blog, here.