Showing posts with label mullions. Show all posts
Showing posts with label mullions. Show all posts

Monday, June 2, 2025

Burford, Oxfordshire

 

Street-facing

When you turn into the Oxfordshire town of Burford from the A40, you descend the High Street, the first part of which is called The Hill, towards the centre of town and the shops, the Tolsey (the market house and also, now, the town’s museum), and the parish church. The Hill is lined with houses of various dates, and one that I admire is Glenthorne House, the one on the left in my first photograph. This has a handsome 18th-century front with sash windows arranged in pairs, each window with a prominent keystone, each pair surrounded by a raised band of stone. There’s a central door with a pedimented surround and above it a blocked window, and the whole front is book-ended by stone quoins and topped with a plain parapet. It’s as pleasant a Cotswold-stone late-18th century composition as you could wish for and one might suppose that the whole house dates from the same period.

Perhaps the roof, however, is a bit of a giveaway. It’s not low-pitched and hidden behind the parapet, but higher and with an asymmetrical bow to its ridge that suggests something older. If you walk a little further up The Hill and look at the side of the house, the picture is very different. The building is emphatically not the symmetrical box implied by the street front. From the side, it can be seen how far back the house goes and how it has mullioned windows that suggest a rather earlier date – much of this probably represents a 17th-century remodelling of a medieval house. Pevsner reports that there’s a 14th-century stone archway inside the building. This side view also shows that the street front is an add-on, built against the house to present a once-fashionable Georgian face to the street.

Many house owners smartened up their street frontages like this. Often the position of the windows or proportions of the facade are incorrect, betraying a building of irregular or asymmetrical design behind. In this case, the proportions are just about right, and the makeover has been achieved with some style and grace. No doubt the house attracts as many admiring glances as it must have done in the 18th century. A few of the glancers, looking at the side elevation as well, will reflect that the human habit of responding to changing fashions has been around almost as long as architecture itself.

Sunday, April 17, 2011

Broughton, Oxfordshire


Across the fields and through the trees

To walk across green fields up to the beautiful Elizabethan front of Broughton Castle on a sunny morning is a real pleasure. Even if the sun is lighting up the other side of the house, the building still looks well, ringed by its moat and surrounded beyond by pastures full of baaing sheep and lambs. The place seems the essence of continuity of landscape, settlement, and building. And so it proves. The core of the house dates from the 14th century, but there was a major remodelling in the 16th century, since when not a great deal has changed – even the ownership: Broughton came into the Fiennes family in 1451, and it remains with them today.

The north front, shown in the picture above, is from the 16th-century, and it’s typically Elizabethan. The large mullioned windows, tall ornate chimney stacks, prominent gables, big bays, and central oriel are all typical of Elizabethan architecture, as is the general overall near-symmetry of the layout. If this had been a completely new build, there would most likely have been perfect symmetry and a central door. But because the original medieval room layout was preserved, with a great hall with an entrance passage at one end, things don’t match up perfectly, and the door is set to one side, cunningly concealed in the side of one of the window bays.

At the left-hand end, a battlemented wing protrudes. This is part of the earlier fabric, as the Gothic window suggests. There are more Gothic details on the east front, visible through trees from the main road and seen in my second photograph. In spite of the battlements, though, this was never a true castle. It was a fortified manor house protected by a gatehouse, moat, and minimal military features, and a very fine one too.