Tewkesbury, Gloucestershire

Perennial

There are some buildings I never tire of looking at, and some of these I have blogged about more than once. One of my favourites is the abbey church of St Mary, Tewkesbury, a large building that just keeps on giving, with its Norman and Gothic architecture, its wealth of carvings and its impressive monuments. There’s even some outstanding 20th-century stained glass, to bring the story of the church almost up to date. One of the best features is the large central tower, which has been called the best Norman tower in Britain.

The tower probably dates to the mid-12th century, at the end of the long campaign of building that brought the huge abbey church into existence. The abbey’s founder, Robert FitzHamon (a relative of William the Conqueror) initiated the building process in the late 11th or very early 12th century, but died in 1107. The church was consecrated in the early 1120s, but the structure was unlikely to have been complete by this date.* The architecture of this period is chunky, with thick walls, round-headed windows and doors, and enormous cylindrical columns. But there was also much carved decoration, as one can see on the outside walls of the tower.

The lower part of the tower is very plain, but very little of this would have been visible when the original, steeply pitched roofs were in place – the position of these is clear from the remains of old masonry that trace the old inverted-V-shaped lines of the roofs. Above this level, things get very ornate indeed. There are three horizontal bands of ornament. The upper band has tall arches (some with louvred bell openings, some blind), with sides and tops carved in a chevron or zig-zag pattern. Beneath these is a narrower band completed covered in arches that intersect, producing a geometric pattern of light and shade. Further down again is another band, this time with tall, carved arches, displaying a different pattern of bell openings from the one above. All of this is the work of 12th-century masons, apart from the battlements and corner pinnacles, which are later.

There was once a spire, made of wood covered with lead, on top of this tower, but this fell down in 1559. Even without the spire, the tower is a magnificent piece of architecture, drawing the eye as one approaches from the west (the approximate viewpoint of my photograph), making a striking landmark from across the fields to the north, or providing a pleasant distraction as one glimpses the top above the shops and houses that cluster nearby. It could so easily not be here today. The abbey was dissolved by Henry VIII in the 16th century, but the locals bought the church from the king in 1542, and it has served as the town’s parish church ever since.† It still gives much pleasure, not just to worshippers, but also to those who attend concerts there, and to anyone who, as I do, savours its magnificent medieval architecture. 

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* Church-builders usually started at the east end (where the altar is placed) and worked their way westwards. The chancel, crossing, transepts, and maybe a small part of the nave were likely to have been completed by this date.

† The townspeople paid £453 for the church.

Melbourne, Derbyshire

Regular readers of this blog will remember the post a couple of weeks back about the parish church at Elkstone, Gloucestershire, an attractive small church in the Norman style of the 12th century. Here’s another Norman church, but on an altogether larger scale. This is a church planned like a cathedral. There’s a grand west front with twin towers and a large entrance portal. Inside, the nave is lined by round piers and semi-circular arches, high above which are yet more arches – and all on a scale you’d normally expect in a church in a much more important town or city. The imposing effect of the architecture is enhanced with plenty of carving too – zigzags around the arches, together with a plainer moulding that gives the design a more restrained look than Elkstone. The tops of the piers have capitals with crosses, scrolls, and other designs. Elsewhere there are some interesting animal carvings, all from the 12th century.

Why did this place have such an imposing church? Apparently the place was an outpost of the bishops of Carlisle, who used to come down to south Derbyshire when the going got tough in their northern bishopric on the border with Scotland. And so visitors to Melbourne get a pleasant surprise. The church is tucked away down a side street and most people don’t find it unless they’ve come to see Melbourne Hall, the local big house, which is nearby. Those who do stumble on it discover one of the gems of English building.