Martock, Somerset

Edward, Edward…

The first time I went through Martock, I paused for just long enough to notice the bold black lettering painted around the curving corner of the Post Office. It looked like a nice touch in a small town that seemed proud to have retained this key local service when so many places have lost their Post Offices since email replaced letter-writing for so many people and some of the services provided by Post Offices moved elsewhere or declined in popularity. My eye having been caught by this strong lettering, I started to look at it a little more closely (noticing how that final ‘E’ looks a little cramped, and how the effect varies slightly as you move around and the curve) and then realised I soon needed to be somewhere else. So I took a swift photograph, jumped in the car, and drove away.

Later, looking at the photograph, I kicked myself for not examining more closely the post box to the left of the door. The splash of red with a white plate above told me that it must be a Ludlow – a type of box, distinguished by this white enamelled plate, the lack of a rain hood over the slot, and, if one could see how it’s made inside, a wooden inner body. I’ve noticed Ludlow boxes (named for their manufacturer) before. Months later, I was talking to someone who knew a lot about the history of post boxes and she mentioned this box in Martock as an uncommon example of one made and installed in 1936 with the monogram of King Edward VIII, who was king so briefly that he was not even crowned. When I was passing near Martock more recently, I stopped again and saw that there’s an ‘E R’, in a very curvaceous, ornate letterform. 

But which Edward does this monogram refer to? Now, I’m no expert in the minutiae of post-box design. This ‘E R’ is certainly different from the plainer, more classical one used in connection with a Roman number ‘II’, on the boxes marked with the monogram of the current queen, Elizabeth II. However, the curvy letterform on the Martock box is similar to that on some boxes said to be of the earlier Edward VII period, whereas most Edward VIII pillar boxes have a still more curly E made up of two loops. Online sources seem to disagree about all this. But it’s a charming bit of lettering anyway, and worth a pause. I’m pleased I managed to go back and see it.

Liverpool

The early post

This 1863 Liverpool Special pillar box* at Liverpool's Albert Dock is the survivor of seven that were originally made for the city. It dates to a time when the idea of a standard post box (indeed the idea of a post box tout court) was still quite new. The variety of different designs made since the first boxes appeared in the early 1850s led the Post Office to introduce a standard design – a cylindrical box with a horizontal slot – in 1859. But not everyone liked it and Liverpool's authorities went for their own design. What's now called the Liverpool Special, topped with a crown, was the result.

I've posted this striking box today because the Royal Mail and Historic England† have just announced a new agreement to ensure the protection and preservation of the country's post boxes – there are 115,300 of them – in their existing locations. This comes at a time when postal services are much used (all those packages containing items bought on the internet, all that junk mail), but when the old-fashioned letter post is in decline thanks to the prevalence of email. I'm pleased this initiative is being taken: readers who return regularly to this blog with know of my liking for old boxes – pillar boxes, lamp boxes, Ludlows, and the rest. Let's all resolve to post some letters, so that they're actually used.


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*The image of the Liverpool Special box is from a photograph by Steve Knight.

†Historic England is the public body that looks after England's 'historic environment'.

Potsgrove, Bedfordshire

Out of place?

It has recently been announced that the Royal Mail, the service that delivers letters in the UK, is about to become a private company. This state-owned letter-delivery service can trace its history back 497 years to the reign of Henry VIII, although in its present form it could be said to have had a new beginning in 1840. This was the year when, with the introduction of the penny post and the first pre-paid postage stamps, the service guaranteed to deliver any letter posted to an address in Great Britain for a uniform rate, paid by the sender.

An essential element in the postal system is the mail box, and I've blogged before about some of the various kinds of box found in England, including pillar boxes and wall boxes of various types. Here's another kind, the compact metal container known as a lamp box because it is designed not to be inserted into brickwork, as in my photograph, but attached to a lamp post or telegraph pole by means of  pair of metal loops fixed to the side of the box. Lamp boxes originally had steeply curving metal tops, but this design, with a shallower curve, came in the time of George V and lasted into George VI's reign (1936–52) – the later king's monogram is cast into the front of this example. The gently curving top reminds me slightly of the roof of a telephone box and harks back to the time when telephone and postal services were both run by the same body.

If this lamp box is rather out of place with its side loops removed and set into a brick pillar, it's clearly still doing its job. And how often have I seen the happy blend of a red rural post box and a growth of green ivy working its way around the metal, to be cleared away occasionally but never obliterated? Will the postal service be out of place in the public sector or manage to accommodate itself to the demands of shareholders, pressing around its edges like the invasive ivy around this box? Time will tell.

Upton on Severn, Worcestershire

A Ludlow in Worcestershire

The previous post about pillar boxes seemed to attract a lot of interest, so, although I’ve not managed to pass an Edward VIII post box recently, here’s a letter box with the monogram of his brother, George VI.

There have been wall boxes, post boxes set into the walls of Post Offices or into all kinds of other walls in the countryside, since Victorian times, and I don’t normally give them too much attention. But this one caught my eye because of the unusual enamel plate. Jonathan Glancey’s good little book Pillar Boxes (1989) tells me that this is what’s known as a Ludlow box, manufactured by James Ludlow of Birmingham, a company that supplied non-standard wall boxes from the late-19th century until the firm closed in 1965. Their boxes have a white enamel plate and no rain hood over the letter slot. The body of the box is not cast iron, like most post boxes, but is made of wood with a covering of sheet metal.

Perhaps the lighter body and the tendency for the enamel plates to come away from the front have made Ludlow boxes slightly less durable than their cast-iron counterparts. But it was good to find this one, still accepting mail and still catching the eye with its businesslike enamel panel.

Great Malvern, Worcestershire

Pillar of the community

I’m always on the lookout for interesting street furniture (although I’m not sure I like the term) – horse troughs, drinking fountains, benches, bollards, and pillar boxes. Maybe they’re not quite buildings, but many early pillar boxes are certainly miniature works of architecture, none more so than the kind, now very rare, that are actually made in the form of a pillar.

The idea of making post boxes in the form of fluted Doric columns seems to have begun in 1856, just three years after Britain’s first post box was installed. At this time there was no single standard design, and post-box pioneers were trying out different ideas. The Doric boxes were cast at Smith and Hawk’s Eagle Foundry in Birmingham, and were apparently designed by an architect called Edge. The first kind was in the form of a fluted column topped by a substantial bell-shaped dome on which was a large crown; the whole thing was about 8 feet tall. None of these monsters survive on our streets, but a few of the smaller models with the shallow domed top, like my example from a street in Malvern, can still be found. And very satisfying it is too, with its cast lettering, fluted body, and solid moulded base.

People who know about these things will have noticed one more unusual feature of this particular Victorian pillar box. It has a horizontal letter slot, like most modern post boxes but unlike most of the surviving Doric boxes, which have vertical slots. So the design of this box looks both back and forward, as well as making a cheering red splash on this quiet, rubble-walled street corner.