When not admiring Herefordshire’s black and white houses (see previous post), I’m diving into its churches to look for carvings. Herefordshire has its very own school of Norman sculpture, active between, say 1140 and 1190. This school produced work of outstanding vigour – figures, Biblical scenes, dragons, and beak-heads abound in that wonderful mixture of Christian and pagan that the Normans loved. The figures display deeply folded drapery, strong gestures, and, sometimes, unusual poses. This intense style of carving is not quite like anything else in Britain, but scholars have traced antecedents in various places on mainland Europe from western France and northern Italy to Compostela, where it is known that at least one local lord went on pilgrimage.
The font in the small, isolated church at Castle Frome is one of the masterpieces of this Herefordshire school. It depicts the symbols of the four Evangelists and, centre stage as it were, the Baptism of Christ. Christ has entered a rippling, fish-rich pool, St John stands by, the hand of God and dove of the Holy Spirit appear above. The scene takes one back, not just to the first century, but also to the Norman period, when a priest in a remote country parish about to baptize a baby could explain to his illiterate congregation their links to an event in the far western Mediterranean some 1200 years ago.
