A great arch for a great house
As is well known, England is rich in country houses, but was once richer still. Hundreds of country houses have succumbed to the mallet and swinging ball of the demolition contractor, for reasons ranging from economics to fashion. The vanished country houses often leave traces behind, though, and amongst the most noticeable are lodges and gatehouses, built to mark and guard the entrances to country estates and often kept because they make good houses. A favourite of mine is the domed lodge at Stoke Edith in Herefordshire. Here’s another, the grand Palladian lodge near the B3089 at Fonthill Bishop in Wiltshire.
Fonthill is a name to make architectural historians pause. The place was the home of the most grandiose and bizarre Gothic revival house ever, Fonthill Abbey, built in the early-19th century by super-rich dilettante and author William Beckford. It is long gone (although a fragment remains, which I hope to see one day). But before Fonthill Abbey there was Fonthill Spendens, a vast Palladian house built for Beckford’s father between 1755 and 1770; its park was entered through this lodge.
The round arch, pediment, and blocks of heavily rusticated masonry are emphatically Palladian in style, so much so that some say the building is the work of the original English Palladian architect, Inigo Jones. If so, that would make it a 17th-century building, but it’s more likely to date from the time when Splendens was built. If so, it’s a powerful reminder of the kind of architecture of Splendens, a house that was pulled down in 1807, when William Beckford, a dedicated follower of Gothic fashion, was building his new house. If Fonthill Splendens was as solid as this great archway, it probably did not come down without a struggle.
