Bristol brickwork (2)
My walk to the Tramways Generating Station, the building described in the previous post, took me along Victoria Street, an in many ways unremarkable street that now forms one of the routes from the city centre to Temple Meads Station. As I walked along it, I was struck by how much evidence there was of Bristol’s admirable Victorian buildings, the kind of thing that the city was full of before the place got comprehensively bombed during World War II.
This row of buildings shows what I mean. At the far end, mainly in shadow, is the former Talbot Hotel (of about 1873), in attractive polychrome brickwork, and the largest of these structures. It was converted to offices after World War I and refurbished much more recently – I believe in the 1990s. The two nearer buildings continue the brickwork theme, with additional adornments: on one a row of pointed Gothic arches, on the other, number 8, dressings of stoner. The Pevsner City Guide to Bristol suggests that number 8 may be by an architect called Henry Masters, who did much work in the city in this period.
Whoever designed these buildings, they were no doubt influenced by John Ruskin, who liked this kind of Gothic with a Venetian feel to it, with colour expressed in the materials rather than painted on, and with scope provided for the carver. The pointed arches with their stone capitals have a particularly Venetian feel, a link which to my mind is made stronger by the worn-down, antique-looking carving of the capitals. Not death in Venice, exactly, but Venetian decay – and, praise be, survival.
