Showing posts with label ironstone. Show all posts
Showing posts with label ironstone. Show all posts

Saturday, May 13, 2023

Moreton Pinkney, Northamptonshire

 

Small but significant

Sometimes on a road apparently in the middle of nowhere, sometimes in the middle of a village, you come across small houses next to gateways – the lodges that guard entrances to the grounds of manor houses and country houses. They’re part locator landmarks, part boundary markers, part home for the estate worker, part of whose job it is to close the gates at night or, in some cases, to keep watch ands open the gate for those who are welcome to enter.

Their style of these buildings varies, and I’ve featured a couple of handfuls on this blog with a range of looks from domed classical to timber-framed Tudoresque. The example I’m posting today is one of a couple (many miles apart) I have passed quite often, never taking a photograph because in one case, the lodge is on a busy main road with nowhere to park and in the other, there’s nearly always a car parked right outside. This is the latter one, and the other day, car or no car, I decided to stop and take a photograph anyway. The gate lodge is in northern Northamptonshire, on a corner in the village of Moreton Pinkney and guards the entrance to Moreton Pinkney Manor, a 17th-century house that was rebuilt in 1859, probably incorporating some of the older fabric. The village is on the belt of butterscotch-coloured ironstone that’s prevalent around here and helps to make this building attractive. The gateway has a segmental arch with a panel above that was designed to frame coats of arms of the Barons Semphill, the 19th-century owners of the manor, The gateway and lodge are said to have been built at the same time as the main house, and the mullioned windows and steeply pitched roofs reflect those of the manor itself. The round tower, however, is the stand-out feature, the thing that catches the eye and gives the little building a sense of importance: small but significant.

Friday, March 25, 2016

Harlestone, Northamptonshire


Doves and dollies

I think I would have shared this dovecote with you whatever its context. I was immediately taken with its circular form, conical roof, and canted walls, a shape that seems to give it extra stability, as does the string course for that matter, while setting off its lovely toffee-coloured ironstone walls to great effect. It’s in what I take to be an outlying hamlet of the Northamptonshire village of Harlestone, a place not so much nucleated as a series of straggling lanes and junctions that is very much in the orbit of the Spencer estate of Althorp, whose park wall I drove past just before stopping by this arresting little building.

However, the context makes it more memorable still: a small group of cottages and associated buildings, plus a larger house (Park Farm House, ironstone again, with quoins), and above all the former premises of the Dovecote Laundry – no longer plying the dolly or posser, but still sporting its sign. It was the sign, course, that made me still more excited: regular readers will know my love of old signs and interesting lettering. Well, if you going to start a laundry here, next to the dovecote, you probably would call it the Dovecote Laundry, and you probably would give it a big blue sign with tall, eye-catching letters like these.
I’ve written several times before about the medieval liking for pigeon-meat and its general restriction to the upper and land-holding classes, noting, with my love of odd-shaped buildings, at least one round dovecote, one octagonal one, and another built into a church. I don’t know whether this 15th-century example sent its young pigeons to the table of the Spencers’ great house nearby or whether they were the preserve of the farmer, but no doubt many thousands found their way to appreciative consumer’s plates across the years. Coo!

Friday, May 21, 2010

Badby, Northamptonshire


Roadside eyecatcher

We’re so used to rectangular and square buildings that different shapes stand out. This house, on the A361 in Northamptonshire, is built on an octagonal plan, and immediately catches the eye. By why an octagonal house on its own on a main road? When I see something like this two things come to mind. First, a turnpike house where a toll-collector was based; such buildings are often polygonal, so that the occupant can see traffic approaching both ways along the road. Second, a gate lodge, a building type that’s often ornamental and frequently designed to stand out from the crowd.

This example began life as a gate lodge: it stands at what was an entrance to the grounds of a house called Fawsley Park and was probably built in the late-18th or early-19th century, possibly by James Wyatt. Its builders used the local ironstone, gave the windows leaded lights, and put buttresses at some of the corners, probably as much for ornament as for strength. There was originally a stone chimney at the centre of the roof.

By the 1970s the house was derelict, but it was restored in the early 1980s, when the leaded flue was added – perhaps the extension is of a similar date. It certainly seems to have made the lodge into a viable house once more, so that it remains as an attractive feature, next to some bluebell woods on the busy road not far outside Daventry on the way to Banbury.

Friday, January 4, 2008

Great Tew, Oxfordshire


Great Tew is all like this – thatched roofs, glowing, almost toffee-coloured ironstone walls, evergreen trees and hedges, all tucked neatly away in deepest North Oxfordshire. It’s archetypal rural England, the kind of village that’s been here for hundreds of years, growing organically and acquiring more patina with each century. But that’s not quite the story. The village is actually the creation of the early-19th century, when the estate was remodelled and the village became a star feature in the landscape. Thatched roofs were fitted or repaired, Gothic details added to the cottages, trees and hedges planted. The result is an uncanny combination of model estate village and old England. It’s not known for sure who masterminded the transformation, but the brain behind it might well have been landscape-gardener, writer, and horticulturalist J C Loudon. Loudon managed the estate for a few years and established a model farm. Whoever it was distilled the essence of the English village and left it in this North Oxfordshire valley.